A Sunday at Play

After three days of rain, it was nice to see the sun rise above the mountains of the Tucson valley. November was the warmest on record for Tucson, and maybe the most arid. This was the first rain I'd seen since being here.

However, today the sun was out and it was a beautiful day to play. Slightly cool, but not cold by any stretch, I had my day planned out precisely. First, I had my morning coffee at a Starbucks on Skyline Road in the Foothills of northern Tucson. The views are breathtaking there, and I wonder if I will ever get used to them. With coffee mug in hand, I went across the street to the La Encantada shopping center. The La Encantada is the premier upscale outdoor shopping center in Tucson, and I wanted to drink my coffee there on the patio among the beautiful plants and Christmas decorations. I took my art-pack with me and spent a couple of hours drawing the shadows and hues reflecting on the adobe walls adorning the courtyard. (I took these photos while there.)

My second stop of the day was the DeGrazia Gallery in the Sun located a couple of miles from the La Encantada. I spent two hours at the grave of Ted DeGrazia, who is buried near his beloved "Mission in the Sun." It's very peaceful and quiet there, and I spent the time drawing an altar built of stones located near his grave. My drawing tablet is becoming a "journal" of the places I visit, and I'm teaching myself the fundamentals of drawing by reading used books I purchased at the bookstore. At the first of the year, I'll be taking art classes at night offered by a local artist.

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An art and crafts show sponsored by the Tucson Arts and Crafts Association was my third stop for the day. I drove east from the DeGrazia Gallery along Skyline Drive until I reached Kolb Ave. The Ventana Plaza shopping center is located just south of the intersection, and the parking lot was full of booths from local artists and crafts persons. I spent an hour walking around and taking photos, as usual. (See photos below.) I met as many of the local artists as I could. Some were from the Phoenix area, and other parts of Arizona.

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I had an lengthy discussion with a fine arts photographer from Phoenix. His photographs were of flowers and other plant life, enlarged to enormous scale, then presented on canvas using the Giclee printing process. I asked him what format he used (35 mm), and if any fine arts photographers had made the switch to digital photography (not yet...digitals limit the size of enlargements you are able to produce).

The fine arts photographer pictured above displayed photos from around the world, including scenes from Paris, Venice, and London.

After the art show I dropped by a Laundromat and washed clothes. Local Laundromats have their own kind of art on display: dirty tile floors, broken down washing machines, and cash machines that are supposed to provide you with quarters but almost never work.

I finished my day back at Starbucks, as usual, to do some reading and writing. Today was a great way to begin the month of December in a very beautiful city in the desert.

University of Arizona Tour, Photography and Art

Yesterday, Friday, I spent a few hours walking the University of Arizona campus. My reason for going there was to attend a exhibit at the Center for Creative Photography.



My first problem was finding a place to park. Like most large univerisities, the UA public parking situation is a nightmare. Take my advice and bring a bike, or ride the bus, if you visit the campus. I finally found the parking gargage across from the Marriott Hotel that sits near the campus. It took me a while, but I finally found a spot. Signs were posted everywhere: "Take your parking ticket with you. Pay at the cashier BEFORE you return to your car." When I left, I went to the cashier and had to wait in line behind twenty other people. What a pain in the neck.





The campus itself is beautiful, of course. I walked from the garage in search of the Center for Creative Photography (CCP). I saw the Arizona Historical Society Museum building first, so I visited them.

My next stop was the UA Museum of Art. On the first floor, there were two exhibitions: from El Anatsui and Jacques Lipchitz. El Anatsui is from Ghana. His work "Versatility" was a massive quilt-like material made from whiskey and other alcoholic bottle labels that he collected. His other exhibit was a room full of "anthills" created from the tops of milk cans. Jacques Lipchitz's exhibit included numerous sculptures and some of the tools he used while creating the pieces.

The UA permanent collection is exhibited on the second floor. While I was there, students were performing musical works on classical guitars in one of the galleries. It provided a nice soundtrack for my visit. I viewed masterworks from artist like Diebenkorn, Thomas Hart Benton, Jackson Pollock, Picasso, Matisse, O'keeffe, Jacob Lawrence, Reginald Marsh, and Jusepe de Ribera. I especially liked Ribera's "A Greek Sage" from 1630.


I found the Center for Creative Photography across the street from the Art Museum. The photography exhibit was on the first floor and easy to find. The purpose of the exhibit was to show the creative process behind famous photographs, with particular emphasis on how the photographer works. The exhibition include contact sheets, letters, notes, personal journals, diaries, calendars and other original material from a number of photographers.

One photographer featured was Wynn Bullock. The exhibit revealed his philosophical approach to photography by emphasizing space and time. "The space of the room becomes a property of the room just as real as the room itself. . .space being an independent property of all containers," I noted while reading from his journal.

The exhibit also displayed actual contact sheets from Gary Winogrand (1928-1984), showing how he marked on each sheet his choices for printing and publishing. One of his favorite collections contained photos of women in public places. He wrote a letter to the University of Texas art department (1975), which was on display at the exhibit, and I noted his comments:
"Whenever I've seen an attractive woman, I've done my best to photograph her. . . I don't know if all of the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs."

The exhibit from W. Eugene Smith was my favorite. For Life Magazine, he suggested shooting an essay of Albert Schweitzer. The Nobel Peace Prize winner founded the the Lambaréné Hospital in Gabon, west central Africa. Smith traveled to Africa and photographed Schweitzer in his office and elsewhere over a few days. The exhibit contained some of Smith's contact sheets, his journal, and his personal calendar from the trip that noted the photos he wanted to take.

Another great exhibit was the "pepper" display from Edward Weston. Weston began to take photos of "assorted peppers" in 1930. In a handwritten letter they had on display, he said he delighted in shooting ". . . a pepper, but more than a pepper: abstract, in that it is completely outside subject matter. . . (and it) takes one into an inner reality." It was also amusing to see that he was finacially struggling as well, when he states, "We have been living on deposits from sittings, more than I ever had in a given period of time."

Other photographers featured included Frederick Sommer and Ansel Adams.

The dapper looking fellow on the right is Edward S. Curtis. I became reacquainted with him while I was researching the Pueblo culture in New Mexico. Having touched on his work while studying photography in college, I had forgotten about him.

I'm traveling across the Southwest on my way to Las Vegas, stopping to study and write about what I find along the way. My curiosity has always been peaked by the Old West and Southwestern life. Indians and the Puebloans are at the center of history here.

So when I stumbled upon Curtis I had to get to know him. His writings and photography were controversial when he published his work The American Indian, 1907 to 1930, as a limited edition. Curtis said his goal was to document "the old time Indian, his dress, his ceremonies, his life and manners." Some of his contemporaries questioned his methods, however, and many on the reservation doubted his sincerity.

A resurgence of interest in Curtis took place in the 1970s, and one can find a lot online about his life and work. I recently noticed an Edward S. Curtis 2007 Calendar at a bookstore, available with wonderful photographs of Indian life in the early years of the last century.

For more information and links visit my blog at Photographium.

"Finger" of the Week: August 6

French President Nicolas Sarkozy wins our Finger of the Week award for August 6. He lost his temper with two American news photographers covering his vacation Sunday, August 5, jumping onto their boat and scolding them loudly in French.

The confrontation came Sunday afternoon as Sarkozy and companions were headed for open water in a boat on Lake Winnipesaukee when he spotted Associated Press photographer Jim Cole and freelancer Vince DeWitt aboard Cole's boat, which was outside a buoy barrier monitored by the New Hampshire Marine Patrol.

"He was happy and smiling and he waved at the security people as he was coming out," Cole said of the president. "And then he noticed us taking pictures and his happy demeanor diminished immediately."